Next, you’ll want to create a new session in your workstation of choice and import your stereo mix. Start a new session and import your stereo mix and reference tracks While there are some new tools in Ozone that allow you to reach inside a mix to adjust drums, vocals, or bass individually-almost as if you were stem mastering-you won’t be able to change levels of any individual tracks without going back to the mixing stage of the audio production workflow.ģ. You also want to ensure you’re happy with the level relationships between all the different elements of your mix before bouncing down to a stereo file. There are no absolutes here though, and the key takeaway is to avoid clipping, especially on the master. This range will leave room for mastering a track. Aim to keep your mix's maximum peak level below about -3 to -6 dBFS and keep your average level around -18 dBFS RMS (or momentary LUFS). You also don’t need to use all of the available headroom on your master bus. If you have plug-ins or channels clipping, they may introduce distortion into your mix that will get amplified during mastering. Does the mix need to sound more cohesive? Make sure you’re using bus processing techniques to help glue things together.Īdditionally, make sure you’ve used good gain staging techniques and that nothing is clipping. Minor changes can make or break an entire mix, so try to have a mix that already sounds the absolute best you can make it rather than expecting a mastering engineer to fix things later on.ĭoes your mix sound too narrow? Make sure you are employing panning and other stereo imaging techniques. The mix should sound balanced, dynamically consistent, and have enough headroom for the mastering stage. It may seem like a foregone conclusion to some, but finishing the mix and preparing it for audio mastering is the first step to set yourself up for success. Tame your dynamics and glue your mix together.Make level corrections with Master Rebalance if necessary.Start a new session and Import your stereo mix and reference tracks.The main steps in mastering that we’ll examine are: For that reason, we’ll focus on some of the most common steps to getting a great sound ,and how you can use the latest version of Ozone to streamline and speed up your audio mastering workflow. There are many approaches to mastering music, and we certainly can’t cover them all here. One of the goals of mastering is to produce music that sits alongside other professionally mastered songs on the market so that it doesn’t sound out of place when heard on the radio, TV, streaming platforms, or other mediums. Mastering a song involves using tools like EQ, compression, limiting, and other specialized processors to ensure that a mix sounds loud, clear, and the best it possibly can on different types of speakers and listening environments.
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